In live theatre the actors are paid for each performance. It is a small
leap to record a live play to make a movie. But who gets the profits from
the sale of the movie? Without computers to calculate little shares,
it would be impossible to figure out who gets paid what. So Hollywood worked
out a system where such impossible accounting isn't necessary. With flat
fees, the screenwriter gets $20,000 to revise a screenplay, and the big
name Actor gets $10M to appear. The fixed cost of the movie is tallied,
so when it collects income, it is clear what the profit is, and who gets
it.
Marx complained about mass production capitalism, where human labor is a variable cost factored into each car produced. Under Infocapitalism, the labor is is a fixed cost, paid once, and the fruits of this labor is sold infinite times. Programmers, even non-employee contractors, are often given a form to sign which says "Everything you write for the company is considered a work-for-hire." Following the landmark copyright case "Reid" in which a sculptor commissioned to create a piece claimed copyright to it, it became clear that copyrights to creative work by default reside with the creator, unless the creator is really an employee, not a contractor, and the work created is the goal of the job. The term "work for hire" is a legal term which implies one is a merely a slave following the orders of a more creative director. This does not often apply to software, which requires active problem solveing and creativity, rather than coding instructions from someone else's blueprint or script. The high-tech employee crisis, with wages shooting up, and the government raising H1B visa rates, is a direct response to the problem in work-for hire. When there is so much money to be made, smart people want to work for a slice, not for an hourly wage.. Startup companies might afford to provide shares of the company to recruit talent, but mature publically traded companies cannot give enough equity to attract the software talent they need, and end up paying astronomical salaries and compensation. A market for PURLs solves this. Subsets of a finite set of PURLs
can be the form of employee and contractor compensation. Thus the creator
really shares in the creation. Divide the copyright into a zillion little
pieces, and allow one's "moral rights" to be sold out when they perceive
the market condition to be right, or else hold it forever and pass
it on to their children.
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